
Cooler rooms
West-facing glass turns a room into a hot spot by late afternoon. Window film turns back much of that heat at the glass, so the room stays usable and the AC has less to fight. The figures for your film come with your quote.

Union window film for the rooms the Texas sun takes over: less heat and glare, floors and furniture slower to fade, and privacy where you want it. Measured and installed at your home.

West-facing glass turns a room into a hot spot by late afternoon. Window film turns back much of that heat at the glass, so the room stays usable and the AC has less to fight. The figures for your film come with your quote.

Bright windows wash out TVs, monitors and laptop screens. A film chosen for glare softens the light across the room, so you keep the view and still see the picture without closing the blinds.

Sun fades wood floors, rugs, upholstery and art, usually on the window side first. Window film blocks most UV, one of the main causes of fading, so the colors you chose keep their depth for longer.

Reflective film turns the glass into a soft mirror from outside on a bright day, so the street sees sky and trees, not the room behind. At night, with lights on inside, it works the other way, so plan on curtains after dark.

For a bathroom window or the glass beside a front door, White Out gives the pane a clean white finish that nobody sees through, day or night. It can cover the whole window or just the lower part.

From the sidewalk, filmed windows look even and deliberate, pane to pane. Choose a quiet gray finish that keeps the house looking much as it does, or a reflective silver for a brighter face and more daytime privacy.
Home window film goes on the inside of the glass you already have. Nothing is replaced or drilled: the film is laid on wet, squeegeed flat and trimmed to each pane. Rooms differ, so we start with where the sun comes in and what it does there.
Not every pane suits every film, so we check the glass type before recommending one. Each Union home film carries its own written warranty, and we confirm the terms for the film we propose before the job is booked.


Shaun, a British Army veteran who made Texas his home, owns and operates Obsidian Tint Co. For a home, the work starts with a tape measure: every pane is measured before it is priced, so the number you are given is for your windows, not a range.
We measure every pane before we price, so the number is for your windows — not a range.
We check each window’s glass first and match a film to the room, or tell you plainly when film isn’t right.
Floors and sills covered while we work; what’s near the glass is moved back and put back before we leave.
Union home film, with the written warranty terms for your film confirmed before the job is booked.

Call or send the form with the rooms, roughly how many windows, and what bothers you most: heat, glare, fading or privacy. A photo of the windows helps.

We look at the glass, check it suits the film, and measure every pane. You get an exact price for your windows and a clear recommendation for each room.

We cover floors and sills, move what’s near the glass, then clean each pane and lay the film on wet, trimming it to the frame. Furniture goes back before we leave.

A light haze or small water pockets in the first weeks are normal; they clear as the film dries. Give it about 30 days before cleaning the glass.
Yes. Film turns back part of the heat at the glass, and west- and south-facing rooms feel the biggest change. How much depends on the film and your glass; the figures for the film we propose come with your quote, from Union’s own spec sheet.
Call (945) 280-9494 or send the form with the rooms and windows. We’ll measure and give you an exact price for your home.
(945) 280-9494